Issues : Errors in EE
b. 14
|
composition: Op. 39, Scherzo in C♯ minor
..
The absence of the note e1 in this chord in EE is definitely an error. category imprint: Differences between sources issues: Errors in EE |
|||||||||||||||
b. 15-16
|
composition: Op. 39, Scherzo in C♯ minor
..
In EE f is not tied, which is an obvious mistake. category imprint: Source & stylistic information issues: Errors in EE |
|||||||||||||||
b. 36
|
composition: Op. 39, Scherzo in C♯ minor
..
EE has G1 as the lower note, which is probably an error. Cf. similar bars 118 and 378. category imprint: Differences between sources issues: Errors in EE |
|||||||||||||||
b. 72-73
|
composition: Op. 39, Scherzo in C♯ minor
..
In our main text we give the dynamic markings ( and a long accent) as we see them in GC (→GE). EE has none of those marks, and FE only has in bar 72. Those are either earlier versions, or results of oversight. category imprint: Differences between sources issues: Errors in EE |
|||||||||||||||
b. 76-89
|
composition: Op. 39, Scherzo in C♯ minor
..
The sources differ here both with respect to the type of accents above the minims of the highest voice (short in EE and GC or long in FE) and to their occurrence in particular bars:
In the editors' opinion, the accent that FE has in bar 80 may have been placed there by mistake, and was meant to be placed in bar 81. Allowing for that possibility leads us to put forward the following proposal as an alternative to the main text: 11 accents in bars 76-79, 81, 83-87 and 89. category imprint: Interpretations within context; Differences between sources issues: Long accents , Errors in FE , Errors in EE , Errors in GE |