![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FE
b. 24-25
|
composition: Op. 39, Scherzo in C♯ minor
..
In the main text we give a single slur embracing bars 21-25, after EE and FE. In that latter edition, there are traces of slur correction made in print - initially the slur ended in bar 24 on the B category imprint: Differences between sources issues: Authentic corrections of FE |
||||||||||||||
b. 129-139
|
composition: Op. 39, Scherzo in C♯ minor
..
For our main text we adopt the version of GC. That version was also reproduced in GE, albeit inaccurately (the slur in bar 135) and it was additionally revised in GE2 (dots in the L.H. in bars 129-130). The notation of EE may also be considered a less accurate rendition of that version. The long slur of FE was added in print, probably at Chopin's request, and replaced a shorter one beginning from bar 134, which was definitely erroneous. That version should be therefore considered an alternative authentic approach to phrasing and articulation markings for that fragment. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE , Inaccuracies in GC |
||||||||||||||
b. 330
|
composition: Op. 39, Scherzo in C♯ minor
..
The initial rhythm in RH ( category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE , Errors of GC |
||||||||||||||
b. 576-580
|
composition: Op. 39, Scherzo in C♯ minor
..
Pedalling signs only present in FE may have been added by Chopin upon proofreading, which is furrther indicated by the lack of such signs in b. 608 and 612, which in the manuscript serving as the basis for FE, were most probably marked as repetitions of bars 576 and 580, and so should include the same performance markings. category imprint: Differences between sources issues: Authentic corrections of FE |