Articulation, Accents, Hairpins
b. 97
|
composition: Op. 39, Scherzo in C♯ minor
..
There are slight differences between particular sources as regards the scope of the hairpin mark , yet they are probably unintended. We give the version of GC and FE. In GE the mark extends further, reaching the chord in bar 98, and in EE it begins later, under the 2nd crotchet of bar 97. category imprint: Source & stylistic information issues: Inaccuracies in GE , EE inaccuracies |
||||||||
b. 98
|
composition: Op. 39, Scherzo in C♯ minor
..
The staccato dot is to be found only in FE. category imprint: Differences between sources |
||||||||
b. 99-102
|
composition: Op. 39, Scherzo in C♯ minor
..
Missing accents in bars 101-102 in FE were probably omitted by oversight. EE has short accents here, just like almost everywhere else in that edition. GC (→GE) definitely have long accents. category imprint: Differences between sources issues: Long accents , FE revisions |
||||||||
b. 103
|
composition: Op. 39, Scherzo in C♯ minor category imprint: Differences between sources |
||||||||
b. 104
|
composition: Op. 39, Scherzo in C♯ minor
category imprint: Interpretations within context; Differences between sources issues: Long accents |