b. 217
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composition: Op. 39, Scherzo in C♯ minor
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FE1 does not have for the topmost note of the chord in the L.H. That obvious omission was corrected in FE2. category imprint: Source & stylistic information issues: Errors in FE |
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b. 223
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composition: Op. 39, Scherzo in C♯ minor
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The fact that is missing both from EE and from GC (→GE) suggests that the asterisk was already omitted in the autograph. category imprint: Differences between sources issues: Errors in EE , Errors of GC |
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b. 224-227
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composition: Op. 39, Scherzo in C♯ minor
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The consistency of the slurring in EE and GC (→GE) suggests that the slur notation was imprecise in the autograph. For our main text we take the slur of FE as undoubtedly correct. category imprint: Differences between sources issues: Placement of markings , EE inaccuracies , Inaccuracies in GC |
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b. 226
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composition: Op. 39, Scherzo in C♯ minor
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For our main text we take the mark placed mid-bar, according to EE and GC, being the two out of three sources that could have been based on the autograph. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 228-229
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composition: Op. 39, Scherzo in C♯ minor
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As there is no reason for the pedalling in this passage to differ from that in analogous bars 183-185, we give precedence to the version of EE and GC (→GE). category imprint: Differences between sources issues: Inaccuracies in FE |