mUltimate Chopin

Op. 39, Scherzo in C♯ minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Shorthand & other
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Shorthand & other

b. 156

composition: Op. 39, Scherzo in C♯ minor

..

In FE, the note d flat is ascribed to the left hand. This would be possible, were it not for the sustaining of that d flat until the next bar, which makes the division completely impractical. 

category imprint: Source & stylistic information

issues: Inaccuracies in FE

b. 278

composition: Op. 39, Scherzo in C♯ minor

..

In GC, this bar is marked as the repetition of the previous one, which must reflect the notation of the autograph.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 291

composition: Op. 39, Scherzo in C♯ minor

..

In EE, the octave at the beginning of the bar is notated in the abbreviated form with 8. This is probably an arbitrary change  that was introduced due to lack of space.

category imprint: Source & stylistic information

issues: EE revisions

b. 297

composition: Op. 39, Scherzo in C♯ minor

g in R.H. in EE & GC (→GE)

g in L.H. in FE
..

In FE, the note g is allocated to the L.H. It is hard to tell whether it reflects the notation of the hand-written base text for that edition or is a result of misunderstanding Chopin's notation by the engraver. 

category imprint: Differences between sources

b. 327-336

composition: Op. 39, Scherzo in C♯ minor

Key signature change in EE & GC (→GE)

FE
..  

category imprint: Differences between sources