Issues : Errors in FE

b. 562

composition: Op. 39, Scherzo in C♯ minor

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In FE at the end of this bar there is additional mark. It is with most certainty a mistake, however, it is difficult to unequivocally determine what the correct text would look like. Since the notation of the remaining sources leaves no doubts and is consistent, we adopt it for the main text.

category imprint: Differences between sources; Source & stylistic information

issues: Errors in FE

b. 565

composition: Op. 39, Scherzo in C♯ minor

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In FE no  mark at the end of ther bar must be an error as the mark is present in all the other sources.

category imprint: Differences between sources; Source & stylistic information

issues: Errors in FE

b. 628

composition: Op. 39, Scherzo in C♯ minor

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In FE the last but one quaver in the bar is g2-g3, which is an obvious mistake.

category imprint: Differences between sources; Source & stylistic information

issues: Errors in FE

b. 637

composition: Op. 39, Scherzo in C♯ minor

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In FE1 there is no ledger line above the octave and it can be mistakenly be read as E1-E. The error was corrected in FE2. In EE the octave was wriiten in short with a digit 8.

category imprint: Source & stylistic information

issues: Errors in FE , Abbreviated octaves' notation

b. 644

composition: Op. 39, Scherzo in C♯ minor

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In FE all chords are written as crotchets, and so the bar consists mistakenly of 7 quavers. When we compare it with EE and GC (→GE), we can actually pinpoint the miastake in the last chord of the bar.

category imprint: Source & stylistic information

issues: Errors in FE