Page: 
Source: 
p. 5, b. 115-146
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 119

 

 

The accent type that Chopin had in mind here is unclear. Judging from its size, the accent mark in A resembles a short accent; still, most short accents on that page of A are even smaller  (e.g. in bars 116, 118, 120, 124). On the other hand, the shape is typical for long accents. GE (→FEEE) all have short accents.

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category imprint: Graphic ambiguousness

issues: Long accents

notation: Articulation, Accents, Hairpins