Page: 
Source: 
p. 5, b. 115-146
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 138

 in A (literal reading) and EE

 

GE (→FE)

 in A is placed before the last chord of the L.H. but after its initial deleted version. In the editors' opinion, when changing the notation of the chord Chopin failed to notice the consequent change of the spatial relation between that crotchet  and the . That is why in our main text we put the  after the 3rd crotchet. In GE (→FE) the sign was placed under the 3rd crotchet, and in EE even before it. 

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE, Errors resulting from corrections

notation: Pedalling