mUltimate Chopin

Op. 24 No. 4, Mazurka in B♭ minor

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Page: 
Source: 
p. 4, b. 88-114
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 100-102

No dots in A (→GE1→FE→EE)

Dots in GE2 (→GE3)

We consider the absence of staccato dots under the bass notes A (→GE1→FE→EE) to be Chopin's oversight. These dots were already added in GE2 (→GE3).

See b. 16

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins