Page: 
Source: 
p. 4, b. 88-114
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Important
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  b. 100

A long accent in A and FE

A short accent in GE and EE

The accent that can be seen under the dotted quaver in A has more features characteristic for a long accent. The corresponding mark in GE1 looks like an ordinary short accent, yet due to awkward horizontal planning of the notes in the bar it almost reaches the semiquaver, so in FE it was interpreted as a long one. In EE and GE2 (→GE3) the accents used were definitely short ones.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins