Page: 
Source: 
p. 3, b. 61-87
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Slurs
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 75-77

A probable reading of the slurs of A

A possible reading of the slurs of A

Slurs in GE1 (→FE)

A slur in EE

A slur in GE2 (→GE3)

Our suggestion

A has two R.H. slurs in those bars: one above the notes and the other, shorter one - under the notes (it is not clear whether the lower slur is to begin from the semiquaver or from the 2nd beat of the bar). The versions of GE1 (→FE) present the slurs of A inaccurately (the starting point) and erroneously (only one of the two slurs from bar 75 has an ending in bar 76 in a new line). In EE and GE2 (→GE3) the notation was streamlined, with a single slur left. In our opinion, the lower slur of A was written earlier and in the composer's intention it was replaced by the upper slur. Chopin failed to remove the earlier-written slur either accidently or wishing to avoid deletions and erasures that could affect the legibility of the manuscript.

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category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: EE revisions, Inaccuracies in GE, Inaccurate slurs in A, GE revisions

notation: Slurs