Page: 
Source: 
p. 3, b. 61-87
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 67

 in A (→GEFEEE)

An alternative suggested by the editors

In our main text we give the  at the end of the bar, after the 3rd crotchet, which is in compliance with the notation of A. However, we cannot rule out the possibility that the placement of the asterisk slightly earlier, under the 3rd crotchet, in GE (→FEEE) may in this case reflect Chopin's intention, as he applied precisely the same notation in the analogous bar 83.

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category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE

notation: Pedalling