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Source: 
p. 2, b. 29-60
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
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A - Autograph
GE - German edition
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GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 46-48

Short accents in A (→GE) and EE

Long accents in FE

The accents at the beginning of bars 46 and 48 should in A be considered short ones and this is how they were reproduced in GE. FE has long accents, although this does not seem to be the result of the correction in print. The version with long accents could be acceptable for Chopin, as in most analogous bars A has long accents. EE has short accents, which follows from inaccurately reproducing the text of FE. The conformity of that version with the authentic text of A is a fortunate coincidence.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Inaccuracies in GE, EE inaccuracies

notation: Articulation, Accents, Hairpins