Page: 
Source: 
p. 2, b. 29-60
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Slurs
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 40-42

The slur in A and GE2 (→GE3)

The slur of GE1 (→FEEE)

Slurs in FED

The editors' proposition

In A, the notation of the beginning of the slur in bar 41 (the first one in a new line) suggests that the slur is carried over from the previous bar, yet no slur begins in the previous bar. The comparison with analogous bars also speaks in favour of beginning the slur from bar 41. Despite that, in GE1 (→FEEE) the slur runs from the 3rd beat in bar 40. In FED, Chopin added a short slur linking two neighbouring measures in bars 40-41, although in FE they are embraced with a single slur. Our proposition takes into account the two slurs written in Chopin's hand in A and FED.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies, Annotations in FED, Inaccurate slurs in A

notation: Slurs