mUltimate Chopin

Op. 24 No. 4, Mazurka in B♭ minor

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Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
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Graphic ambiguousness
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Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Important
Main
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  b. 21

Pedalling in A, GE2 (→GE3) and EE3

Pedalling in GE1

No pedalling in FE (→EE1→EE2)

In the main text we give the pedalling of A and #Wn2 (→GE3). In GE1, the pedal up marking  was placed under the 3rd crotchet of the bar, against the notation of A but in line with the tendency to adjust all the elements of the notation to rhythmic structures. In FE (→EE1→EE2) the pedalling was omitted. The missing pedal markings were supplemented in EE3 in the version consistent with A. Cf. bars. 22-27.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Errors in FE, Inaccuracies in GE

notation: Pedalling