mUltimate Chopin

Op. 24 No. 4, Mazurka in B♭ minor

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Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Important
Main
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  b. 20

No pedal marks in A (→GE1→FE→EE)

Pedalling in GE2 (→GE3)

The editors' proposition

Lack of pedalling in A (→GE1→FE→EE) may be the result of Chopin's scattered attention connected with correcting the form of the Mazurka (deletion of the repetition of bars 5-20). Therefore we suggest supplementing the markings in line with analogous bar 52. A similar adjustment was made in GE2 (→GE3).

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Pedalling