Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 10-12

 in A and GE2 (→GE3)

 in GE1 (→FEEE)

The engraver of GE1 (→FEEE) matched the  marks to the beats of the accompaniment. As a result of changes in those bars, and also in bar 5 and analogous bars, in the listed editions all the  marks are placed in the same way (under the 3rd beat of the bar), against the notation of A. In GE2 (→GE3) the marks were moved to reflect the notation of A.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE

notation: Pedalling