Page: 
Source: 
p. 5, b. 115-146
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
GE1 - First German edition
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
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EE3 - Revised impression of EE2
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  b. 127-128

A probable reading of A (→GE)

A possible reading of  A

FE (→EE1EE2)

EE3

A (→GE) has triads as the 2nd and the 3rd crotchets of those bars, although in the first triad in bar 127 the note c1 is practically invisible in the manuscript. When proofing FE, Chopin removed the middle notes of the triads leaving only the sixths. That corrected version was repeated in EE1 (→EE2). EE3 returned to the version of GE1 with the full triads (the omitted note b flat on the 2nd beat of bar 128 must be a mistake).

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: EE revisions, Authentic corrections of FE, Uncertain notes on ledger lines

notation: Pitch