Page: 
Source: 
p. 7, b. 109-137
p. 1
p. 2
p. 3, b. 1-27
p. 4, b. 28-54
p. 5, b. 55-84
p. 6, b. 85-108
p. 7, b. 109-137
p. 8, b. 138-146
p. 9
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
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Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF A - Autograph


  b. 118

A slur in A (→GE1FEEE)

No slur in GE2 (→GE3)

In GE2 (→GE3) the slur embracing the two quavers was removed. That revision could seem in place when the slur from bar 117 reached the second one of the two quavers. However, in our main text we retain Chopin's slurring from A.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Slurs