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p. 4, b. 88-114
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
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FES - Stirling copy
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  b. 108

A long accent in A and FE

A short accent in GE and EE

The dotted quaver at the beginning of the bar clearly has a  long accent in A. The corresponding mark in GE1 looks like an ordinary short accent, yet it reaches almost to the semiquaver due to the awkward horizontal planning of the notes that form the dotted rhythm. This was probably the reason why the accent from GE1 was interpreted in FE as a long one. EE and GE2 (→GE3) all use accents that are definitely short ones. Cf. bar 100, as well as 46-48.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents, EE inaccuracies

notation: Articulation, Accents, Hairpins