mUltimate Chopin

Op. 24 No. 4, Mazurka in B♭ minor

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Page: 
Source: 
p. 2, b. 29-60
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
GE2 - Second German edition
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Main
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copy link PDF GE2 - Second German edition

  b. 47-49

Without any marks in A (→GE1→FE→EE)

Staccato dots in GE2 (→GE3)

Lack of dots in bars  47 and 49 in A (→GE1→FE→EE) most probably results from Chopin's oversight. When one compares the accompaniment in five similar fragments (bars 13-17 and analog.) one can see that the omission of those dots is accidental. 

See b. 16

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Articulation, Accents, Hairpins