mUltimate Chopin

Op. 24 No. 4, Mazurka in B♭ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-60
p. 3, b. 61-87
p. 4, b. 88-114
p. 5, b. 115-146
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
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Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link PDF A - Autograph

  b. 12

A probable reading of the slur of A

 

It is not clear whether Chopin intended the slur in A to apply only to the upper notes of the octaves or to reach further. In GE (→FE→EE), that second option was adopted, and the slur extended to the last quaver. Both versions may be considered as matching the notation of A. The slur for the upper notes only emphasizes the (hidden) two-part aspect , while the whole-bar slur link the end of the previous phrase with the transition to the next one.

Compare the passage in the sources»

category imprint: Graphic ambiguousness

issues: Inaccurate slurs in A

notation: Slurs