Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 24 No. 4, Mazurka in B♭ minor
Page:
Source:
p. 3, b. 1-27
p. 1
p. 2
p. 3, b. 1-27
p. 4, b. 28-54
p. 5, b. 55-84
p. 6, b. 85-108
p. 7, b. 109-137
p. 8, b. 138-146
p. 9
A - Autograph
Main text
A
- Autograph
GE
- German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE
- French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE
- English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A
- Autograph
GE
- German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE
- French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE
- English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
b. 3
A heightening g1 to g1 is missing from all the sources. The use of g1 between f1 and g1 is so obvious in this context that the error went unnoticed for several dozen years.
Compare the passage in the sources »
category imprint: Editorial revisions; Source & stylistic information
issues: Errors of A, Last key signature sign
notation: Pitch
Missing markers on sources:
FES