Page: 
Source: 
p. 3, b. 1-27
p. 1
p. 2
p. 3, b. 1-27
p. 4, b. 28-54
p. 5, b. 55-84
p. 6, b. 85-108
p. 7, b. 109-137
p. 8, b. 138-146
p. 9
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
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copy link PDF A - Autograph

Original in: Biblioteka Narodowa, Warsaw


  b. 16-18

There are question marks under the 3rd crotchet in bars 16 and 18 in A. Written in crayon, they probably mean the engraver's doubts as to the correct reading of the manuscript. In bar 16 this could be the question of the presence of the note e1 in the L.H. chord and in bar 18 – the note e1, suggested by a  at that height and by possible merging of the note with the ending of the .

Compare the passage in the sources»

category imprint: Source & stylistic information

issues: Foreign hand additions in manuscripts

notation: Shorthand & other

Missing markers on sources: GE1, GE2, GE3, FE1, FED, FES, EE1, EE2, EE3