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Issues : Errors resulting from corrections
b. 25-27
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In bars 25-28 A initially had the rhythm category imprint: Differences between sources issues: Errors resulting from corrections , Rhythmic errors , Errors of A |
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b. 28
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Determining Chopin's intention related to the rhythm on the 3rd beat of the bar seems impossible here. A erroneously has a quaver and two demisemiquavers ( category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , GE revisions , Rhythmic errors , Authentic corrections of FE |
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b. 68
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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It is not certain whether an ink trace visible under D flat is a staccato dot or a mark that remains after incomplete removal of a sign (accent?). Unmistakable dots in analogous bars 64 and 84 weigh in favour of staccato. In GE (→FE→EE) there is no dot here. category imprint: Graphic ambiguousness; Differences between sources issues: Corrections in A , Errors resulting from corrections |
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b. 89-91
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the course of writing was interrupted both between bars 89-90 (by the deleted fragment) and between bars 90-91 (by passing on to a new line of the text) .This has caused unclear and unnecessarily complicated notation of the slurs. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Inaccurate slurs in A , Errors resulting from corrections , GE revisions |
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b. 138
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Errors resulting from corrections |