Issues : Inaccuracies in GE

b. 5

composition: Op. 24 No. 4, Mazurka in B♭ minor

A long accent in A

A short accent in GE (→FEEE)

..

A long accent at the beginning of the bar is very clear in A, having a characteristic shape and a typical size. Nevertheless, a short accent was printed in GE (→FEEE).

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE

b. 5-17

composition: Op. 24 No. 4, Mazurka in B♭ minor

 marks in A

GE1 (→FEEE)

GE2 (→GE3)

..

In bars 5, 7, 9 and 13, 15 & 17 in GE1 (→FEEE) the  marks were placed under the 3rd crotchet. This contradicts the notation of A, in which those asterisks were placed earlier, more or less in the middle of the bar. In GE2 (→GE3) the marks were moved even further towards the end of the bar.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 5

composition: Op. 24 No. 4, Mazurka in B♭ minor

A staccato dot in A

The dot missing in  GE (→FEEE)

..

The lack of the dot in GE (→FEEE) is probably due to oversight on the part of the engraver. 

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 10-12

composition: Op. 24 No. 4, Mazurka in B♭ minor

 in A and GE2 (→GE3)

 in GE1 (→FEEE)

..

The engraver of GE1 (→FEEE) matched the  marks to the beats of the accompaniment. As a result of changes in those bars, and also in bar 5 and analogous bars, in the listed editions all the  marks are placed in the same way (under the 3rd beat of the bar), against the notation of A. In GE2 (→GE3) the marks were moved to reflect the notation of A.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 12

composition: Op. 24 No. 4, Mazurka in B♭ minor

 in A

 in GE (→FEEE)

..

Compared with the notation of A, in GE (→FEEE) the hairpins were lengthened by one quaver and made to reach the last note of the bar. 

category imprint: Differences between sources

issues: Inaccuracies in GE