Issues : Wedges
|
b. 6
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
In this place, the staccato sign has the form of a short, thin line, differing from the usual dots. Comparison with analogous places (bars 8, 14, 18 and similar) suggests inaccurate notation of A (uncontrolled hand movement). The same remarks apply to the signs in bars 16 and 23 on the same page. category imprint: Graphic ambiguousness issues: Wedges |
||||||||
|
b. 16
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
It is not quite clear which one of the staccato signs– a dot or a wedge – Chopin had in mind here. category imprint: Graphic ambiguousness issues: Wedges |
||||||||
|
b. 23
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
In A it is not quite clear which of the staccato signs Chopin had in mind: a dot or a wedge. In our view, a dot is much more likely. The sign was omitted from GE1 (→FE→EE), and put back in GE2 (→GE3). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Wedges |
||||||||
|
b. 29-31
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
The staccato signs in A are definitely more like wedges than dots. Still, GE (→FE) has dots in all those places. Absence of any signs in EE is an obvious error. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Errors in EE , Wedges |
||||||||
|
b. 63
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
A wedge over a flat visible in A was omitted in GE1 (→FE→EE). In GE2 (→GE3) the staccato sign was supplemented in the form of a dot under the note. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , GE revisions , Wedges |
