Issues : GE revisions

b. 46-51

composition: Op. 24 No. 4, Mazurka in B♭ minor

No staccato marks in A (→GE1FEEE, →GE2)

Staccato dots in GE3.

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In GE3staccato dots were added over the crotchets on the 2nd beat of bars 46, 48 and 50-51. The revision must have resulted from a comparison with other similar places in the text. 

category imprint: Differences between sources

issues: GE revisions

b. 47

composition: Op. 24 No. 4, Mazurka in B♭ minor

Possible reading of A

 

A small slur added in GE2 (→GE3)

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The notation of the grace note is not clear in A. The slanted line on the right side of the note may be either unclearly written "crossing out" of the note flag or a slur. We adopt - in line with GE (→FEEE) – that the line is the former. In GE2 (→GE3), conventional slur linking the grace note with the main note was added.

 

category imprint: Graphic ambiguousness; Differences between sources

issues: GE revisions

b. 47

composition: Op. 24 No. 4, Mazurka in B♭ minor

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We add a cautionary   before a flat1. The same was done in GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 47-49

composition: Op. 24 No. 4, Mazurka in B♭ minor

Without any marks in A (→GE1FEEE)

Staccato dots in GE2 (→GE3)

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Lack of dots in bars  47 and 49 in A (→GE1FEEE) most probably results from Chopin's oversight. When one compares the accompaniment in five similar fragments (bars 13-17 and analog.) one can see that the omission of those dots is accidental. 

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 48

composition: Op. 24 No. 4, Mazurka in B♭ minor

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An unclear  staccato dot in A was omitted in GE1 (→FE) and put back in EE and GE2 (→GE3).

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , GE revisions