Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 108

composition: Op. 24 No. 4, Mazurka in B♭ minor

A long accent in A (→GE1FE, GE2)

A short accent in EE and GE3

..

A characteristic long accent used in A (→GE1FE, GE2) was changed to a short one in EE and GE3.

category imprint: Differences between sources

issues: Long accents , GE revisions , EE inaccuracies

b. 108-110

composition: Op. 24 No. 4, Mazurka in B♭ minor

A possible reading of the slurs of A

A probable reading of A (→GEFEEE)

The completed notation of the slurs of A

..

The slurring in A is unclear due to discordant notation of bar 108, the last one on the page, and bar 109 that begins a new page. GE (→FEEE) have a single continuous slur in those two bars. In FE, the slur in bar 109, the last bar of the line, ends erroneously on the last quaver (its continuation in bar 110 is written correctly). 

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE , Inaccurate slurs in A

b. 109

composition: Op. 24 No. 4, Mazurka in B♭ minor

..

We add a cautionary flat before a flat1. The same addition was made in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 109-112

composition: Op. 24 No. 4, Mazurka in B♭ minor

in A (→GE2GE3)

in GE1

No indication in FE (→EE)

..

In the main text, we give the dynamic indications of A and GE2 (→GE3). In GE1, dashes defining the scope of the cresc. were omitted. In FE (→EE), the entire indication is missing.

category imprint: Differences between sources

b. 109

composition: Op. 24 No. 4, Mazurka in B♭ minor

..

We add a cautionary  before g flat1 in the L.H.

category imprint: Editorial revisions