Issues : Errors in GE
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b. 50
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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At the beginning of the bar A has a short accent, reproduced also in GE2 (→GE3). In the editors' opinion, the use of a long accent here is also admissible. In GE1 (→FE→EE) the mark was omitted. category imprint: Differences between sources issues: Errors in GE |
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b. 51
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composition: Op. 24 No. 4, Mazurka in B♭ minor category imprint: Differences between sources issues: Errors in GE |
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b. 52
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE1 (→FE→EE) the accent on the 3rd crotchet of the left hand was omitted. This is an obvious oversight. category imprint: Differences between sources issues: Errors in GE |
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b. 52
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE1 (→FE→EE) there is no pedalling, which is obviously a mistake. The pedal marks were supplemented in GE2 (→GE3), with category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 52
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The tie from bar 51 lacks an ending in the 2nd volta in A. In GE (→FE→EE) the tie for b flat1 in the 1st volta reaches that b flat1 in the 2nd volta. It is really astonishing that this nonsensical sign was not corrected in any of the first editions, even in the meticulously revised GE2 and GE3. category imprint: Differences between sources issues: Inaccurate slurs in A , Errors in GE |
moved to the end of the bar. 
