Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 24 No. 4, Mazurka in B♭ minor
In A, the 
marks in bars 22-23 and 27 were placed after the 3rd crotchet, i.e. at the end of the bar. In GE1 (→FE→EE) they were placed right under the third crotchet. The placement of those asterisks in GE2 (→GE3) is somewhat puzzling. They were printed slightly after the 3rd crotchet, so practically they look like being misaligned with the 3rd crotchet, yet intended to be placed under it. Still, a comparison with GE1 shows that the shifts were made purposefully, and this may suggest that the editor's intention was to match the notation of A, i.e. place the asterisks after the notes.
category imprint: Differences between sources
issues: Inaccuracies in GE
notation: Pedalling
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