Page: 
Source: 
p. 3, b. 57-88
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 59-71

In bars 59, 63, 67 (R.H.) and 71 (L.H.) in A there are traces of deleting the dot extending the crotchet on the 2nd beat of the bar and the quaver flag at the last note of the bar. However, the spatial arrangement  of those notes within the bar shows that the initial version of the rhythm was just like the final version – 2 quavers and 2 crotchets. It seems that in the course of his work on A Chopin twice changed his mind about the rhythm in those bars:

Compare the passage in the sources »

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Chopin's hesitations, Main-line changes

notation: Rhythm

Missing markers on sources: GE1, GE2, GE3, FE1, EE1, EE2, EE3, FED, FES