mUltimate Chopin

Op. 24 No. 2, Mazurka in C major

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Page: 
Source: 
p. 2, b. 29-56
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 48-52

In bars 48 and 52 in EE, the R.H. part is split into two voices, just like in the previous bars: . We retain the notation of A (→GE→FE), apparently inconsistent but reflecting the pragmatism of Chopin's pianistic thinking. An identical change of the graphical layout was also introduced in analogous bars 16, 20 and 100 of EE.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Rhythm