mUltimate Chopin

Op. 24 No. 2, Mazurka in C major

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 89-120
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Articulation, Accents, Hairpins
Verbal indications
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Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 93-95

The dynamic marking in A, interpreted in context

 

The interpretation of the   marks  present in bars 93 and 95 in A is not clear: the mark in bar 93 reaches as far as the last quaver of the bar, and the one in bar 95 is only slightly shorter. That notation was reproduced faithfully in GE (→FE→EE). However, a comparison with analogous bars 41 and 43 suggests that what Chopin had in mind here were long accents, and this is the interpretation we give in our main text. 

Compare the passage in the sources»

category imprint: Interpretations within context

issues: Long accents

notation: Articulation, Accents, Hairpins