Page: 
Source: 
p. 2, b. 29-56
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 31

 in A (→GE2GE3)

GE1 (→FEEE)

The extent of the hairpin mark  in A may give rise to certain doubts due to inexact alignment of the L.H. part under the R.H. part. The engraver of GE1 (→FEEE) probably matched the beginning of the hairpin with the L.H. crotchets, which was an evident mistake later corrected in GE2 (→GE3). Applied to the R.H., the hairpin mark in A doubtless refers to the quaver figure on the 3rd beat of the bar, despite the fact that it begins a little earlier. 

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Scope of dynamic hairpins, Unclear hairpins in A

notation: Articulation, Accents, Hairpins