Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Articulation, Accents, Hairpins
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 27

A   mark in A (→GE)

 An accent in FE (→EE)

It is not clear whether the mark entered in A on the 3rd beat of the bar should be understood as hairpins   or as a long accent. The same may be said about the mark in GE which was nonetheless reproduced in FE (→EE) as an accent, and on top of that a short one. The similarity of the mark in A to the neighbouring marks in bars 26 and 28 makes us consider it to be a hairpin mark . Taking into account that in this context the difference between a long accent and a diminuendo mark of similar length is very slight, both in graphic appearance and in meaning, we give up the alternative reading (with the long accent).

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins