mUltimate Chopin

Op. 24 No. 2, Mazurka in C major

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Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 16-20

In bars 16 and 20 in EE, the R.H. part was divided into two voices,  just like the previous bars: . However, that formally justified change necessitated the introduction of another change: as in that new graphic layout the accent on the 3rd crotchet placed under the stave seemed to refer only to e1, another accent was added above c2. We stick to the notation of  A (→GE→FE). EE  had the identical change of graphic layout also introduced in analogous bars 48, 52 and 100.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Articulation, Accents, Hairpins