mUltimate Chopin

Op. 24 No. 2, Mazurka in C major

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Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
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Prezentacja
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  b. 6

A wedge in A

A dot in GE (→FE→EE)

The staccato mark from A was rendered in GE (→FE>EE) as a dot. In the editors' opinion,  interpreting that mark as a wedge is much more justified, the arguments being its shape (despite its small size it is a line clearly standing out from among the surrounding dots) and the presence of unmistakable wedges in the analogous bars 12, 44, 90, 94 and 96.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Wedges

notation: Articulation, Accents, Hairpins