Page: 
Source: 
p. 7, b. 85-120
p. 1
p. 2
p. 3
p. 4, b. 1-25
p. 5, b. 26-49
p. 6, b. 50-84
p. 7, b. 85-120
FE1 - First French Edition
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF FE1 - First French Edition

Original in: Fryderyk Chopin Museum, Warsaw


  b. 111-112

An octave in A (GE1GE2).

A fifth in FE (→EE) and GE3

When proofing FEEE, Chopin changed the version recorded in A (→GE1GE2), deciding against the subtle differentiation of that detail. The version that retained the regularity of the chord progression was also introduced in GE3.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Pitch