Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 24 No. 2, Mazurka in C major
Page:
Source:
A - Autograph
Main text
A
- Autograph
GE
- German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE
- French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE
- English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A
- Autograph
GE
- German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE
- French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE
- English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
A (→GE1→FE→EE) has a 
before a1. As the use of that natural is quite unnecessary in the context, we omit it from our main text. It was also removed from GE2 (→#FE3).
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Cautionary accidentals
notation: Pitch