Page: 
Source: 
p. 5, b. 67-100
p. 1
p. 2
p. 3, b. 1-32
p. 4, b. 33-66
p. 5, b. 67-100
p. 6, b. 101-120
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF A - Autograph


  b. 83-84

Slur end in A (→GEFEEE)

A less probable reading of A

The moment when the slur ends is not quite clear in A. For the reasons discussed in the note to bars 79-80 we consider it much more probable that Chopin intended the slur to reach B on the 2nd beat of the bar. This is also the interpretation given by GE (→FEEE).

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Interpretations within context

issues: Inaccurate slurs in A

notation: Slurs