mUltimate Chopin

Op. 24 No. 2, Mazurka in C major

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 1-32
p. 1
p. 2
p. 3, b. 1-32
p. 4, b. 33-66
p. 5, b. 67-100
p. 6, b. 101-120
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF A - Autograph

  b. 22-28

Asterisks  in A

GE1 (→FE→EE)

GE2 (→GE3)

In those bars, the pedal release marks are placed at the end of the bar in  A, after the 3rd crotchet in the L.H. In GE1 (→FE→EE) all the marks are printed under the 3rd crotchet, which may suggest - against A – the necessity of rhythmical release of the pedal at that moment.  The notation of A was restored in GE2 (→GE3), with the exception of bar  24. The problem also occurs in bars 29-36 and 57-68.

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category imprint: Differences between sources

issues: Inaccuracies in GE

notation: Pedalling