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Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
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  b. 27

 before b2 in A (→GE) and EE3

bwithout   in FE (→EE1EE2)

By putting the  http://sm.multimatechopin.com/uploads/ckeditor/images/KASO.png before b2  in A (→GE), Chopin probably wanted to draw our attention to an unconventional melodic phrase with the characteristic Lydian fourth. Still, the natural was removed in the proofing of FE (→EE1EE2), which was evidently motivated by the intention to adhere to ordinary rules governing the use of cautionary accidentals. It is difficult to determine whether the correction was made on Chopin's request. The presence of http://sm.multimatechopin.com/uploads/ckeditor/images/KASO.png in EE3 is explained by the fact that the text of GE1 was used for its revision. The same situation occurs in bar 35.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Cautionary accidentals

notation: Pitch