Issues : Errors in GE

b. 22

composition: Op. 24 No. 2, Mazurka in C major

 in A

GE1 (→FE)

GE2 (→GE3)

..

The extent of the hairpins  was reproduced particularly carelessly in GE1 (→FE) - which is probably the engraver's fault. Attempts to correct the hairpins position were made both in EE and in GE2 (→GE3). In the main text we reproduce the notation of A.

category imprint: Differences between sources

issues: EE revisions , Scope of dynamic hairpins , Errors in GE , GE revisions

b. 44

composition: Op. 24 No. 2, Mazurka in C major

A wedge in A

No sign in GE1 (→FEEE)

A dot in GE2 (→GE3)

..

The wedge above the crotchet b1, present in A, was omitted from GE1 (→FEEE). The staccato sign was restored in GE2 (→GE3) in the form of a dot. 

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 55

composition: Op. 24 No. 2, Mazurka in C major

No dot in A (→GE2GE3)

A dot in  GE1 (→FEEE)

..

In GE1 (→FEEE) the sixth e1-c2 has a staccato dot. This is most probably a mistake - the dot was to refer to the 1st crotchet of that bar. The sign was removed in GE2 (→GE3). Cf. the note to bar 53.

category imprint: Differences between sources

issues: Errors in GE

b. 65

composition: Op. 24 No. 2, Mazurka in C major

An accent in A (→GE2GE3)

No accent mark in GE1 (→FEEE)

..

The omission of the accent from GE1 (→FEEE) was probably accidental. The mistake was corrected in GE2 (→GE3). 

category imprint: Differences between sources; Corrections & alterations

issues: Errors in GE

b. 83

composition: Op. 24 No. 2, Mazurka in C major

The note f in A, FE (→EE) and GE2 (→GE3)

The note g flat in GE1

..

The first quaver f is written slightly too high in A, so in GE1 it was read as g flat. The mistake was corrected in FE (→EE), as well as in GE2 (→GE3)

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in GE , Inaccurate note pitch in A