Issues : Inaccuracies in GE
b. 25-26
|
composition: Op. 24 No. 2, Mazurka in C major
..
Contrary to the notation of A, in GE (→FE→EE) the mark does not reach the 1st note of bar 26. In GE, bar 25 is the last bar of the system, which was probably the reason behind shortening of the hairpin mark. Cf. the note to bar 26. category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins |
||||||||
b. 26
|
composition: Op. 24 No. 2, Mazurka in C major
..
In bar 26 in GE1 (FE→EE) the mark is inaccurately reproduced from A, which has been largely corrected in GE2 (→GE3). In our main text we give the notation of A. category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||
b. 30-36
|
composition: Op. 24 No. 2, Mazurka in C major
..
In our main text we place the asterisks - following in this respect the notation of A (→GE2→GE3) – after the 3rd crotchet. In GE1 (→FE→EE) the asterisks were printed under the 3rd crotchet, with the exception of bar 31 in FE, in which the was accidentally omitted. category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||
b. 30
|
composition: Op. 24 No. 2, Mazurka in C major
..
The extent of the hairpin mark in A is unclear; the lower arms reaches the 3rd beat of the bar, while the upper one only the second beat. We consider the upper arm to be a reliable indication, and we give that length in the main text. In GE (→FE→EE) the mark is even shorter, which definitely fails to reflect Chopin's intention. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins |
||||||||
b. 31
|
composition: Op. 24 No. 2, Mazurka in C major
..
The extent of the hairpin mark in A may give rise to certain doubts due to inexact alignment of the L.H. part under the R.H. part. The engraver of GE1 (→FE→EE) probably matched the beginning of the hairpin with the L.H. crotchets, which was an evident mistake later corrected in GE2 (→GE3). Applied to the R.H., the hairpin mark in A doubtless refers to the quaver figure on the 3rd beat of the bar, despite the fact that it begins a little earlier. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , Unclear hairpins in A |