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b. 48-52
In bars 48 and 52 in EE, the R.H. part is split into two voices, just like in the previous bars: . We retain the notation of A (→GE→FE), apparently inconsistent but reflecting the pragmatism of Chopin's pianistic thinking. An identical change of the graphical layout was also introduced in analogous bars 16, 20 and 100 of EE.
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category imprint: Differences between sources
issues: EE revisions
notation: Rhythm