Page: 
Source: 
p. 1, b. 1-22
p. 1, b. 1-22
p. 2, b. 23-52
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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  b. 15

 

 

 

In the L.H., it is the variant with the a-d fourth on the 2nd and 3rd beats that is the most frequent. In AG (→CY), there is also a b added to the fourths. The version of F differs from the autographs, since it features a tied B in the bottom voice and a-b-fin the top. It may be that the topmost element of the chord is a Terzverschreibung error; it is likely that it was a dthat was supposed to be in that place originally - in such a case, F would have analogous chords from AG

Compare the passage in the sources »

category imprint: Differences between sources

issues:

notation: Pitch

Missing markers on sources: PE, AR, AK, AE, AO, FEF, GEF, FC, CC, AG, CX, CY