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Source: 
p. 1, b. 1-22
p. 1, b. 1-22
p. 2, b. 23-52
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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  b. 6

 

 

 

Almost all sources feature a crotchet rest on the 3rd beat in the L.H. It is only AK that has an a-cthird - it repeats two elements of the previous chord. The authenticity of the version of F with the bass moving to A has to be considered dubious - it is most probably Fontana's revision, continued in the subsequent bars of F

See b. 7-8

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Pitch

Missing markers on sources: PE, AR, AK, AE, AO, FEF, GEF, FC, CC, AG, CX, CY