Page: 
Source: 
p. 2, b. 23-52
p. 1, b. 1-22
p. 2, b. 23-52
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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  b. 52

No repeat in AO & CC, crotchet A in L.H.

No repeat in AK, minim A in L.H.

No repeat in AE (→CX) & AR, 3 beats in bar

2nd part of Waltz repeated in AG (→CY)

Entire Waltz repeated in FC

Entire Waltz repeated in PE

Entire Waltz repeated in FEF & GEF, tied a-c1 & c2 in first volta

In the sources, there are three possibilities of performing the Waltz:
1. Variant without repetition of the second part in AO, AR, AE and AK.
2. Variant with repetition of the second part in AG (→CY).
3. Variant with repetition of the entire waltz in F with two notation options:
- two codas at the end of the piece and sengo in FC and PE
- repetition written out with notes in FEF and GEF: in order to present a comprehensible comparison of sources, we change it to a version with two voltas, like in PE
- additionally, in FEF and GEF, there is a tied a-cthird in the L.H. - it must have been added by Fontana

See b. 20

See b. 1-52

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category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information

issues:

notation: Pitch