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p. 2, b. 23-52
p. 1, b. 1-22
p. 2, b. 23-52
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
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  b. 38

 

 

 

The autographs and the majority of the copies feature f-dsixths on the 2nd and 3rd beat in the L.H. The F sources, on the contrary, feature triads in this place: FC - doubly repeated f-a-d1, whereas in PE, FEF and GEF the second chord is e-g-d1. The L.H. in bar 22 looks the same. Additionally, the first beat in the L.H. in FC is extended - the bottom voice, B - to a minim, whereas in PE, FEF and GEF - to a dotted minim.

See b. 22

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Pitch

Missing markers on sources: PE, AR, AK, AE, AO, FEF, GEF, FC, CC, AG, CX, CY